6/22/2023 0 Comments Mixbus review![]() Start with a slow attack (try 30 ms) and a fast release (keep it under 50 ms). ![]() Use a ratio around 2:1 to lightly compress the tracks. ![]() Just as everything in mixing, mix bus compression works best when it’s subtle. It keeps the levels consistent the whole way through and it makes things sound more exciting. Mix bus compression helps your tracks feel more together. Now here are some tips for bussing those four effects. Route the desired channels to this bus track (choose “send” from each channel or add a “receive” of each channel from the bus track). ![]() The most common effects to use with a mix bus are compression, reverb, delay, and EQ.įor each of these, here are the steps to create a mix bus: Using bus tracks will make your life way easier and your mixes so much better. Or you can quickly adjust the amount of reverb on each track from the bus track. Instead of opening the effect on each individual track, you can change the setting on the bus track, which will change the effect on all of the tracks. You’ll want to change the reverb settings for all of them or for each of them. This is a real problem when you have multiple vocal tracks with the same reverb effect. If you want to change the amount of reverb (i.e. You could slap the reverb effect directly to the vocal track and that would be fine. So you have more control over both the original and the duplicate. Well, because a bus track copies the signal, it leaves the original signal untouched. Why go to all the trouble of creating a mix bus track? This will screw up the track when you bounce it for mastering. If a bus track is a bus full of children, then the master bus is a ferry that carries those busses and school children.Įvery channel in your DAW is fed through the master bus.Īs a general rule, you don’t ever want to add effects to your master bus. Just to be perfectly clear, a mix bus is not the master bus (AKA the master track). Technically, a mix bus copies the signal of a channel, applies the effect, then adds the signal back into the mix. Then any direction the bus goes, the passengers (channels) will go.įor example, if you send the bus down the reverb road, then reverb will be applied to every channel on the bus. You can tell certain people (channels) to get on the bus. And the mix bus channel is an actual bus. Imagine that all of the channels in your DAW are people. The best metaphor for a mix bus is an actual bus. So when you apply an effect to the bus track, it adds that effect to every channel routed to it. Until now, everyone has been teaching production totally backward.īut if you just want to learn about the Mix Bus specifically, keep reading.Ī mix bus is a channel through which you send your instrument channels. We put together a brief training that covers a totally new approach to music production. I’m guessing you’re here because you want to make your mixes sound professional. Get industry-quality every time (steal this framework) So I want to share what I’ve learned about using a mix bus. And buses instantly made my mixes much more professional. Once I understood the concept of a mix bus and saw it in action, something clicked. Well, now I’m one of those people saying that. So I just ignored it, even though everyone was saying, “You need to be using mix buses!” The idea of a mix bus used to be so confusing to me.
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